Balancing Money and Art

Well-meaning coaches everywhere are telling actors to treat their careers like a business. We’re told to be the “CEO of our own Company”. We’re expected to spend a minimum number of hours working hard at our business. But working towards a bottom line “at all costs” is a prescription for anxiety and depression.

Here’s what this prescription neglects to include: Acting careers don’t exist without both the business and the art, plain and simple. They are two inseparable sides of the same coin. While most actors intuitively know this, they still believe that the only way to get work is by sacrificing and grinding away at marketing, networking, and self-submitting 24/7. Look back – haven’t we all gotten some good gigs just from doing our art? Work begets work, as the saying goes.
 
When I was just out of Conservatory, I worked hard “doing the rounds”, checking in personally with every office on a regular basis. It paid off with auditions and jobs by the end of that first year. But I also experienced the fun work of doing theater (often for free) that got me auditions and jobs as well. (I still do it.)
The key to living in our art and thriving in our business is not balance, but harmony. When we try to force balance by scheduling times and assigning days for either art or business, we muck it all up. Balance is natural. The idea that we can control desired career outcomes based on time spent, is an illusion. The business (and life) impersonally shifts, but we insist on taking it personally. When finances are low, we experience anxiety, guilt, shame, and when our creative skills go unused, we become depressed. The pain lasts as long as we distrust the natural ebb and flow of life. The pain deepens when we think we’ll never get out of anxiety (no money or job) or depression (no artistic fulfillment).
 
Ebb and Flow.
An actor’s life is filled with so-called good years and bad years. This is a constant. While we know the thrill of getting that big check from an acting gig, we also know the pure bliss of doing creative, ensemble work with no pay at all. Yes, the possibility of that dream job — both financially and creatively fulfilling — always exists, but once we see the natural ebb and flow of things, we begin to trust and allow it.
 
Instead of trying so hard to live up to soul-killing standards of being a business first and an artist second, just notice the obvious thing to do. You know when your business needs marketing. You know when your art needs a Viewpoints class. We are just so bombarded with outside voices telling us how to be a “successful actor” that we’ve stopped listening to our own voice.
 
You are genius. You are wise. Listen to your own voice.
 

What Makes Your Acting Career Grow?

All of my life, I’ve been so devoted to my career that it would take me by surprise when I’d see some actors not do obvious things like submit for auditions or mail the headshots they just paid hundreds of dollars for, or even trying to learn about the business. They never understood the value and the payoff of “planting seeds”.

Beware impatience.

For instance, when I was working in Chicago, a theatre director called me in for a lead in a show I never submitted for, and was ultimately cast. My roommate, a fellow “actor”, said, “Hunh – must be nice.” Her tone implied how “it must be nice not to have to do anything and still get a called in”. I was speechless. Had she not seen me bust my butt over the last several years, auditioning, auditioning, doing staged readings, auditioning, performing, auditioning, doing free work, performing, etc? Did she not see how it made perfect sense that my name would come up for this kind of role, because I had already worked so much around town? I mean, we’re talking years. (Truth is, she never submitted for anything.)

So what I’m saying is, it’s vital to plant seeds. Yet doing activities that are supposed to get us ahead when they have no immediate result, is the hardest thing to do. So we don’t, and we’re back to where we started for another day . . . another week . . . another month . . . another year.

This is why I hold Action Groups. This is why my programs do the things that actors just can’t bring themselves to do. Even if you don’t work with me, do something that will hold you accountable. Do something that will make the tasks easier for you. Just don’t do nothing. Nothing grows from nothing.

 

Is Holistic Marketing Effective?

I’m not sure if I’ve ever heard this term before – holistic marketing –  but it fits for me. When I work with actors on their marketing I find that they have a very limited view of it. Most likely, they’ve attended a seminar or webinar bombarding them with lists of things that they MUST DO NOW! Perhaps they’ve listened to a panel of “experts” who more than likely competed with their fellow panelists over who had the best answers. Holistic Marketing is exactly what it sounds like – considering the entire artist. I believe that the best answer always lies within each person. No expert can tell you what is best for you. My job is to shine a light on the artist’s own inner wisdom. I never tell anyone what they must do.

Considering the entire artist involves three areas for me: ACTION, SUPPORT AND PRODUCT.  As I mentioned in my recent interview (start 44:56), actors can go anywhere for postcards and mailing services, but they’re not going to get one-on-one guidance providing them with the next best actions. A printer will hand you your postcard order and wish you good luck. They won’t advise you on address lists and schedules. They can’t tell you which photo or message best communicates your essence. Younger actors tend to lioverwhelm-stacksmit themselves to on-line marketing, while older actors stick to snail mail. And neither group makes strong efforts towards in-person meetings. When an actor is left alone to make marketing decisions, the overwhelm often leads to no decision.

It doesn’t make sense that once we finish our courses or get our theater degrees, we’re pushed out the door with a “good luck”. As a matter of fact, it’s borderline cruel. Even if we’ve had early successes, there comes a time where we need to re-energize our marketing plan. And I’ve found a way to do it.  I’ve come up with a quick, painless easy program that is completely holistic and covers all three areas of action, support and product. The four week SMART Action Path Program meets on Mondays over the phone with a small group of like minded folks, provides next best actions for the week, and propels you toward your ultimate goal (whatever that may be) with a concrete marketing piece. I am so proud of of this program, and would like you to consider gifting it to yourself before the holidays derail your best laid plans.

So . . . what do YOU do?

I went solo to the theater last week. Going solo is easy at a movie theater, but not for L.A. stage productions where everyone is checking each other out in the bright lights of the lobby, trying to figure out how they might know you, or looking for someone semi-famous to show up. theatre_audience I took my seat next to a young man and his wife. We were introduced by a third party who immediately walked away. (Probably to see if anyone “important” had shown up.) I was curious, and asked questions like “How do you know so-and-so?” and “What kinds of projects did you two work on?” I really didn’t know too much about his end of the business, so I couldn’t contribute much more than questions, and inevitably the conversation began to wind down. Then – with one of the most obligatory tones I had ever heard – he said, “So what do you do?” I hate this question in general, but his blatant I’m-just-asking-to-be-polite tone made me hate it even more. I suddenly beganmouth blathering about my business to which he reacted with the “eye glaze”. I tried to save the conversation by adding something more familiar, like ” . . . and I’m an actor.” That was his cue to ask me what time it was, because he “needed to check on something”. He left me alone with his wife who, thankfully, was much more pleasant.

It drives me nuts when I forget to do what I encourage my clients to do: Share your enthusiasm with others. It’s the one, immediate thing you can do to market yourself that requires no money or materials.  If I had chosen not to let this guy’s tone affect my energy, I could have shared my love of working on actors’ self-promo and how rewarding it is to see them light up with inspiration. Instead, I came off apologetic (the ultimate sin!) and reduced my business to nothing more than “marketing”. As an actor, I could have mentioned I was there to support a fellow actress while exploring new plays – instead I proclaimed my profession with about as much enthusiasm as if I were announcing my credit card debt.

I know better, right? And so do you. Have you ever found yourself talking about a project apologetically? If you know that there’s just got to be a bFind-Your-Voice-298x300etter way to marketing, then come join me in November’s SMART Action Path Program. It’s four weeks to finding your marketing voice that will catapult you into the New Year with fresh marketing materials. You will discover what holistic marketing is, just how enjoyable self-promo can be! Sign up by October 30th, because it starts Monday, November 3, 2014.

Does Your Resume Prove Your Worth?

I think it was in college when I fully embraced the busy lifestyle. I went to a theater conservatory, held a full-time schedule, had nightly rehearsals, and hostessed on the weekends. I loved it – the ever changing rotation of shows, schedules, and jobs fueled me. I continued this pattern after college as I pounded the pavement creating a career in Chicago theater. Exercise_cartoonExplaining my artist’s path was exhausting, so it was easier to prove myself with projects. I kept doing and doing and doing, and saw my results as markers of my worth in the entertainment field. I was so focused on results that I never stopped long enough to see why I was doing what I was doing.

I believe, the 17th century philosopher, Blaise Paskal, said it best: “All of humanity’s problems stem from man’s inability to sit quietly in a room alone.”

Today, when I sit in silence (a practice, practice, practice), I am able to sense what is important and what is not. I am able to sense that my True Self can never be validated by results and outside recognition. That while advertisements insist that “more is better”, I understand that the differences I make in the world – no matter how small – are enough. I understand all of this, because silence reminds me of why I do what I do. So when I first speak with a potential client, I simply listen. Inevitably, they call me to find out how they can solve a problem. The truth is, even if I tell them the “how”, they will never follow through until they know the “why”. So I ask,  “Why do you want to do XYZ?” – and this is where the silence begins.comfortable+silence

They say (“they”?) that our minds have on average sixty thousand thoughts a day. There’s nothing wrong with thought. I love thought (I love algebra for cryin’ out loud). Goals, dreams and problem solving tend to emerge from thought. But I believe that vision, self-compassion, and solutions are born in silence.